US EditionNarcissus without a Mirror in ‘Centaurs of the Night’, by Marc Recha
Summary by El Pais
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When he made his debut in 1991 with the film El cielo sube, director Marc Recha (l'Hospitalet de Llobregat, 1970) made an unclassifiable gesture that marked the beginning of a path that he has never abandoned: that of a free, artisanal quality cinema that advances without ideological or aesthetic fashions and the pressures of the industry or the market of the moment. Continue reading
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