US EditionA Mural, a Memory: the Q’ewa Gerardo Re-Shoes in Sucre
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Of thin texture, curly hair and trigueña skin, Gerardo Rosas did not need stage. His presence was enough. He dressed freely, played with the limits of the genre and challenged, with each movement of his borrowed skirt, the rigors of a society that was not prepared for his art or for his existence.
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