Statham’s ‘A Working Man’ upsets ‘Snow White’ to take No. 1 at the box office
- Jason Statham's thriller A Working Man took No. 1 at the box office with a $15.2 million debut, according to studio estimates.
- Snow White dropped 66% in ticket sales in its second weekend due to bad buzz and backlash.
- Hollywood saw a box-office deficit, with sales down 11% from 2024 and nearly 40% from 2019, according to Comscore.
- The classic Studio Ghibli film Princess Mononoke grossed $4 million across 347 IMAX screens, marking a successful weekend for the film.
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217 Articles
OUR VIEW: Do we need more live action remakes?
The new Disney Snow White was recently released in theaters a couple weeks ago with mixed reviews. At least on Rotten Tomatoes it’s 41%. The live action Lion King did a little better with 57% and The Little Mermaid even…
British actor Jason Statham, who was cast by Guy Ritchie in his debut film, Get Out, twenty-seven years ago, became an international star and the embodiment of an action hero thanks to their collaboration, following on from his iconic predecessors from the 80s and 90s. This was confirmed by their joint work on the Expendables series, the fourth of which, with the passing of the generational baton, more or less turned into Statham's solo film.
White Snows of Disney has already been in the cinemas for a couple of weeks and the musical imprint of the new real action film is great so the songs that make up the feature film play a leading role in the development of the story. Created by the duo of composers composed by Benj Pasek and Justin Paul, the music of the film combines indelible classics loved by generations – such as Heigh-Ho and Whistle While You Work – with new songs that print…
And then a Dutchman, armed to the teeth, suddenly sneaked into the shot... Jason Statham dominated the box office last weekend with his new fight movie A Working Man, once again shrinking a wide range of bad guys. One of them is a crazy eccentric Russian with a gun larger than Statham's flexing upper arm. This man is none other than the traditional Dutch Max Croes, who is trying to invade Hollywood. “That was just as surreal.”
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