US EditionResurrection — Bi Gan [Cannes '25 Review]
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Resurrection — Bi Gan [Cannes '25 Review]
Having propelled himself to cinephilic fame with the mesmerizing Kaili Blues (2015) and, more recently, an audaciously mind-bending interpretation of dreams in 2018’s Long Day’s Journey into Night, Chinese auteur Bi Gan has come to be lauded for his seductive and hypnotic cinematic form, a form inextricably fostered from the sheer technical prowess which saw [...] The post Resurrection — Bi Gan [Cannes ’25 Review] appeared first on In Review Onl…
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