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Weill-Ullmann double bill is an evocative opera pairing

Summary by reaction.life
© Reinout BosThe dead giveaway that something special was afoot in The Hague was the rail track extending from the stage into the café outside the auditorium, where a curious audience was gathering.Even before curtain up, the fourth wall separating audience from stage had been breached. During the performance it was to be smashed to smithereens.The occasion, a perfectly matched double bill. Kurt Weill and Berthold Brecht’s 1933 Die Sieben Todsün…
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reaction.life broke the news in on Friday, July 11, 2025.
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