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The Cinematic Glories of Manoel de Oliveira’s Endless Youth

Summary by The New Yorker
Richard Brody writes about how the Portuguese director, who made twenty-two features after the age of eighty, rejuvenated the art of movies by linking personal experience to the arc of history.

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The Cinematic Glories of Manoel de Oliveira’s Endless Youth

Richard Brody writes about how the Portuguese director, who made twenty-two features after the age of eighty, rejuvenated the art of movies by linking personal experience to the arc of history.

·New York, United States
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The New Yorker broke the news in New York, United States on Wednesday, March 26, 2025.
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