What’s at Stake in the NEA’s Quiet Retreat From the Arts
- On May 2, 2025, hundreds of federal grants supporting arts organizations nationwide, including several groups in San Francisco, were abruptly canceled as part of a shift in funding priorities.
- This cutoff followed a policy shift under the Trump administration that reprioritized NEA funding toward historically Black colleges, disaster recovery, and other federally designated areas.
- Affected organizations include the San Francisco Gay Men's Chorus, which lost a $38,000 grant for its youth music education program Rhythm, and SFJAZZ, which had a $30,000 grant canceled for music inspired by the de Young Museum.
- Jacob Stensberg, artistic director of the chorus, characterized the cuts as efforts to diminish LGBTQ narratives, while SFJAZZ interim CEO Susie Medak described the situation as a deeply painful setback.
- Leaders warn that these funding terminations threaten vital community programs and the broader economic and cultural health of American arts, urging local support to sustain the sector going forward.
16 Articles
16 Articles
Trump administration cuts are impacting Wisconsin art centers
Many organizations, like the John Michael Kohler Arts Center in Sheboygan, were notified of abrupt grant terminations in an email on May 2. The post Trump administration cuts are impacting Wisconsin art centers appeared first on WPR.
Local arts groups face budget gaps as NEA pulls grants
On May 3, the National Endowment for the Arts sent emails to hundreds of arts organizations around the country terminating their grants. The abrupt loss of federal support has organizations scrambling to make up for budget shortfalls. Jeffrey Brown reports for our series, Art in Action, and our arts and culture coverage, CANVAS.
Everyone should have a chance to tell their story. Federal grants helped make that possible
The beauty and power of the NEA’s literary investment at GrubStreet and elsewhere lies in the rich spectrum of voices and perspectives that make up the tapestry of our story, writes Eve Bridburg. No one voice dominates.
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