At 87 minutes, Jean-Claude Rousseau’s Last Stop for the Circular Ticket is the longest film he’s made since his 1995 masterpiece The Enclosed Valley, but the increasingly sketch-like quality of most of his recent work — since he shifted to shooting digitally — remains. (To paraphrase Thomas Pynchon, it’s a short film with gland trouble.) [...] The post Last Stop for the Circular Ticket — Jean-Claude Rousseau [FID Marseille ’26 Review] appeared f…
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