US EditionBig four auction houses scramble amid $10 billion art market slump
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Big four auction houses scramble amid $10 billion art market slump
A haunting bronze bust, elongated, flattened and grooved, Alberto Giacometti’s Grande tête mince (1954) seems shaped as much by memory and erosion as by flesh. Stark and hollow-eyed, it distils the human face into a mask-like form. Often associated with Giacometti’s brother Diego, the work transcends portraiture. It becomes a symbol of introspection, its pitted texture quietly speaking to time, vulnerability and endurance. When it went up for au…
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