The whimsical, the valedictory and the heroic: three sides of Richard Strauss
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The whimsical, the valedictory and the heroic: three sides of Richard Strauss
Sometimes comments are voiced to the effect that you’d never know Jane Austen had been writing in the middle of the Napoleonic Wars, since there isn’t a single reference anywhere in her oeuvre to wartime activity. Was writing her complete refuge, in the same way that Richard Strauss was able to detach himself mentally and psychologically from the horrors of Nazi Germany in 1942 and retreat to pre-revolutionary France for his final opera? Capricc…
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