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The Wanderers in Shanghai Russian fine art and hegemonic meta-capital in world politics

This article analyses a Russian art exhibition organised in China in 2017–2018. How did The Wanderers, which arguably represents social criticism, become a heteronomous site of capital accumulation and conversion, and what role did it play in Russia’s status-seeking power pursuits? To answer these research questions, the article focuses on the central forms of capital related to the exhibition. The research data consist of semi-structured interv…
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graduateinstitute.ch broke the news in on Wednesday, July 30, 2025.
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