The theatre gets into the houses of the poorest ‘banlieue’ in Paris to reflect the conflicts of the extra-radio

There is no curtain or stage. No seats or entrance ticket. Only chairs placed on one side or the other of the living room, adjusted to give some space to the actors. The performances are similar to those of any theatre. But here in Sevran, a town in the outskirts of Paris, are based on its inhabitants. In its poetic imaginary. In its relation to the territory, its problems, its fears or its desires. The works, free of charge, are presented in it…