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‘Romería’ Review: A Budding Filmmaker Pursues Her Parents’ Obscured Past in Carla Simón’s Lovely, Pensive Coastal Voyage

  • Spanish filmmaker Carla Simón premiered her third feature, Romería, at the Cannes Film Festival in May 2025, telling the story of 18-year-old Marina’s journey to meet estranged paternal relatives on Spain’s Atlantic coast.
  • Marina, an orphan whose parents died of AIDS-related causes in the early 1990s, must secure a notarized kinship recognition from her paternal grandparents to complete her filmmaking scholarship application.
  • The film intertwines Marina’s 2004 exploration of Vigo and the Cíes Islands with narrated extracts from her mother’s 20-year-old journal, revealing her parents’ restless youth and drug dependency.
  • Romería employs camcorder-shot video diaries and natural camera work by cinematographer Hélène Louvart, with a purposeful shift to magical realism bridging Marina’s memories and grainy flashbacks of her parents’ turbulent past.
  • The film closes Simón’s family-centered trilogy by offering a layered, wistful memory piece that acknowledges unresolved family stigma and deepens her arthouse profile without a clear resolution or homecoming.
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The Hollywood Reporter broke the news in Los Angeles, United States on Wednesday, May 21, 2025.
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