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Ridley Scott’s Multiple Cameras Gave Us Joaquin Phoenix Grunting Like a Pig in ‘Napoleon’

Summary by IndieWire
Ever since he convinced cinematographer Sławomir Idziak to cover the elaborate action sequences in “Black Hawk Down” with 11 cameras, Ridley Scott has been evolving a multi-camera style that is as creatively dynamic as it is economically sensible, capturing a maximum number of angles in a minimal amount of time. The benefits of Scott‘s approach are obvious in a set piece like the Austerlitz sequence in “Napoleon,” where he maintains a clarity of…
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