In the preambles to the Covid pandemic, an exhibition was held in Madrid on the Dutch portrait of the 17th century, where, as it could not be otherwise, Rembrandt’s paintings stood out brightly. In particular, I was able to contemplate for the first time live the shocking “Dissection of Dr. Deijman”, painted by the artist in 1656, beginning the final phase of his activity, presided over by a notorious social, economic and prestige decline for wh…
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In the preambles to the Covid pandemic, an exhibition was held in Madrid on the Dutch portrait of the 17th century, where, as it could not be otherwise, Rembrandt’s paintings stood out brightly. In particular, I was able to contemplate for the first time live the shocking “Dissection of Dr. Deijman”, painted by the artist in 1656, beginning the final phase of his activity, presided over by a notorious social, economic and prestige decline for wh…