Rachel Rossin’s Theology of the Machine
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Rachel Rossin’s Theology of the Machine
In a cultural moment bloated with digital slop, Rossin’s AI-coauthored paintings probe something more unstable and searching Shifting from her recent cavernous installations, and sprawling digital-heavy interventions, The Totalists, Rachel Rossin’s second solo show in the UK, marks another of her periodic returns to painting. Yet despite this excursion into an ostensibly analogue output, Rossin’s preoccupation with our prosthetic relationship wi…
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