US EditionIn Jordan, the End of Theater?
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Embryonic in the 1960s, emerging in the 1970s, political and prolific in the 1990s and 2000s, the theatrical offering in Jordan is currently unraveling. From rebirth to acknowledgment of failure, the sector wants to structure itself and refuses to let the curtain fall. Once again, Musa Hijazin takes the stage to play the character of Somaa, well known to the Jordanian public for his humorous critiques mixing politics and daily life. Employed at …
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