A Bezalel photography student reveals a bold personal project in her final exhibition: reconstructing the places where she was sexually abused as a teenager in Haifa. Between staged and authentic images, Shani Avni examines the fine line between desire and hurt — but can art heal a wound that is still open?
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A Bezalel photography student reveals a bold personal project in her final exhibition: reconstructing the places where she was sexually abused as a teenager in Haifa. Between staged and authentic images, Shani Avni examines the fine line between desire and hurt — but can art heal a wound that is still open?