How can - if at all - one write a "hard-boiled" detective novel today? How can one construct a noir character that transcends the stereotypical image of the detective and the even more stereotypical image of the "femme fatale" who (para)drags the hero into dangerous adventures? Kyle Decker's We'll Sow Havoc is - among others - an attempt to answer this question.
Read here ⇛
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How can - if at all - one write a "hard-boiled" detective novel today? How can one construct a noir character that transcends the stereotypical image of the detective and the even more stereotypical image of the "femme fatale" who (para)drags the hero into dangerous adventures? Kyle Decker's We'll Sow Havoc is - among others - an attempt to answer this question.
Read here ⇛