From Giotto to Banksy. The Art of Public Art and the Invisible Wire

Quotidiano Nazionale

Factuality

Ownership

by Olga Mugnaini From the rock paintings to the engravings of Val Camonica, from the graffiti of Pompeii up to the writings on the walls of contemporary metropolis, leaving a mark in the shared space is a gesture that crosses epochs, cultures and continents. The art, therefore, was not born in the twentieth century, but comes from a much further time, sinking its roots in a real ancestral need. It is born from this consideration, which puts at t…