US EditionFrom dance cards to voting
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From dance cards to voting
It is a measure of the persuasiveness of Sophia Rosenfeld’s history of choice that as I sat down to write this review, I was newly conscious of the menu of typefaces that unfurled before me. Why do we need more than 100 kinds of font, and what illusion is being sustained by our choosing among them? We’re familiar with the experience of being overwhelmed by different brands of toothpaste or shampoo in the supermarket, but we are perhaps less awar…
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