Clues of truth among the lies of the theater

From the boules of Ferran Dordal's Weltschmerz to the nudity of Marina Otero's Kill Me: two ways of crumbling the sweaty resource of fiction Auca#149Advertising Desgel The seven hours of the show F.R.A.U., which Albert Arribas premiered in 2016, combined different formats of scenic modernity in a kind of Trojan horse, inserting itself into the solemnity of theatrical ritual. At a certain moment, when a disruptive colloquium was being staged in t…