That’s Puccini’s Madama Butterfly and Kelley Rourke and Eric Einhorn’s Cosi, not to be confused with Cosi fan tutte (though Cosi was set to Mozart’s slaughtered Cosi fan tutte score). The good news is that it was a fine Butterfly, a revival of Francesca Zambello’s 2014 production, with settings by Michael Yeargan, a frequent Zambello collaborator. Mme. Zambello places Puccini’s masterwork not in the usual Japanese house or in David Belasco’s dus…
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