Review: Bad Bunny Urges Puerto Ricans to Own Their Rhythm in Emotional Hometown Show
PUERTO RICO, JUL 13 – Bad Bunny's 30-show residency at the Coliseo de Puerto Rico has sold over 400,000 tickets and is projected to generate $377 million and 3,600 jobs, boosting the island's economy.
- Bad Bunny began his summer series of 30 concerts titled No Me Quiero Ir de Aquí on July 11 at the Coliseo de Puerto Rico in San Juan.
- The residency aims to celebrate Puerto Rican culture and confront issues like gentrification and government neglect in the island.
- Each show features nearly three hours of music with different setlists, surprise guests, and a mix of new songs and hits highlighting Puerto Rican identity.
- The residency has sold over 400,000 tickets, created more than 3,600 jobs, generated $377 million, and sparked a surge in local tourism bookings.
- This residency reinforces Bad Bunny’s role as a cultural ambassador and supports San Juan’s positioning as a global stage for Puerto Rican heritage.
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With its new Pa'l Recuerdo campaign, the brand transforms the restrooms of the Puerto Rico Coliseum into a multi-sensory space filled with unforgettable experiences.
Review: Bad Bunny urges Puerto Ricans to own their rhythm in emotional hometown show
A young woman emerged from the dark into a green and bushy clearing. Under the faux moonlight, she wandered the stage, speaking to herself. “Where’s my camera? I can’t believe I lost it. All my memories were there,” she said…


Bad Bunny urges Puerto Ricans to own their rhythm in emotional hometown show
On the opening Friday night of his Puerto Rico residency, Bad Bunny rallied locals — and LeBron James — with new songs from his sensational 2025 album, "Debí Tirar Más Fotos."
He rapes in Spanish, scrolls in skirts, denounces Puerto Rico's gentrification and fills stadiums all over the world. Three times world number 1 on Spotify, Bad Bunny has become the most listened artist on the planet without ever singing in English. Musical phenomenon, political figure and elusive body, he redefines the codes of global pop. Why does it work?
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