Review | We Are All Strangers: Anthony Chen’s Epic Look at Fatherhood in Singapore

‘We Are All Strangers’ Review: A Micro-Macro Lens Reveals Beauty and Poetry in the Everyday Lives of a Singaporean Family

A rudderless young man and his hardworking father each experience love, marriage, loss and the fragility of dreams in this concluding part of Anthony Chen’s loosely linked ‘Growing Up’ trilogy.

Review | We Are All Strangers: Anthony Chen’s epic look at fatherhood in Singapore

A beautiful conclusion to Anthony Chen’s ‘Growing Up’ trilogy, We Are All Strangers is a study of family and love in all its forms.

‘We Are All Strangers’ Review: Anthony Chen’s Immensely Entertaining Singaporean Family Drama Wears Its Heart Earnestly

Berlin: Multiple generations grapple with the onset of adulthood, and the crush of middle age, against a bustling Singapore backdrop in the "Ilo Ilo" and "Wet Season" director's emotionally generous fifth feature.

Yeo Yann Yann on Berlin Competition Film ‘We Are All Strangers,’ 13-Year Journey With Anthony Chen and Finding Hope in Struggle

Yeo Yann Yann discusses 'We Are All Strangers,' her third collaboration with Anthony Chen, debuting in Berlin competition.

Berlinale Review: We Are All Strangers Channels Edward Yang to Kitschy But Compelling Ends

The new film from Anthony Chen takes a minute to find its rhythm. For the first hour or so of its admittedly substantial runtime, I couldn’t help but wonder if an LLM, prompted to make the most normcore script imaginable, would be able to conjure a story of such modest simplicity. Stick with it a minute, however, and We Are All Strangers reveals itself to be a film with the ambitions of Edward Yang: which is to say that, barring a lightly insane…