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The Composer | Matthew Aucoin, Daniel Drake

In the Review’s October 22 issue, Matthew Aucoin surveys Philip Glass’s six-decade musical career, occasioned by the premiere of his new symphony, Lincoln, at Tanglewood this past summer. “Any artist who invents a distinctive, instantly recognizable mood is sure to leave a mark on the history of their art form,” Aucoin writes. “And Glass did […]

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The New York Review of Books broke the news on Saturday, October 10, 2026.
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