US EditionThe Clues, the Clueless, and the Critics: Appreciating Clue
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The Clues, the Clueless, and the Critics: Appreciating Clue
It came to my attention only recently that there isn’t a single essay on this website about the 1985 film Clue—Clue, the ur-text for postmodern whodunnits, the consummate cult classic that gained an enormous throng of exalters in the years since its release and subsequent critical evisceration. “Critical evisceration” is putting it mildly. Writing in The Chicago Sun-Times, Roger Ebert said “fun, I must say, is in short supply in ‘Clue.’” Kevin T…
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