The Sony FX2 Aims to Be More Than a Video-Focused A7 IV or FX3 Junior

The Sony FX2 Aims to Be More Than a Video-Focused a7 IV or FX3 Junior

The Sony FX2 combines the a7 IV's image sensor with the FX3's video-first design. However, the FX2 aims to be more than the sum of its parts.

Sony launches FX2 cinema camera with 33MP sensor, 4K 60p recording and functions at pro-level

Sony has announced the launch of the FX2, the newest model in its highly praised cinema line, specially tailor -made for independent filmmakers, small production teams and makers of Solo -content who are looking for cinematic visuals without most of traditional equipment. Central to the FX2 is a full frame 33-megapixel back-illumined Exmor R S-Sensor, […]

Sony focuses on new compact Cinema Line camera

Sony is introducing the FX2, an entry point camera into the company’s Cinema Line range. The FX2 features a 33.0 effective megapixel1 back-illuminated Exmor R sensor, with up to 15+ stops of wide latitude using S-Log3. The camera is equipped with Dual Base ISO for S-Log 3 of 800 and 4000, enabling optimal image quality across varied lighting conditions, said Sony. The FX2 ISO sensitivity for video can be expanded up to 102400, making it ideal f…

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ony Xperia 1 VII review: A niche flagship with standout audio, camera tools, and design, but struggles to justify its $1,400 price tag.

Sony announces the FX2, a Full-frame Cinema Camera with the perks (and limitations) of the a7 IV sensor by Michelle DeLateur - ProVideo Coalition

Sony has announced its newest offering in the cinema line: the FX2. As the nomenclature dictates, the FX2 sits below the FX3 in terms of video offerings. It technically sits above the FX30 given the price, the features, the full-frame sensor (that mirrors the a7 IV), and the stills capability, but with cropped 4K 60fps video and no 4K 120fps offering, FX30 videographers will likely think twice before jumping into this model. With its additional …

Sony FX2 is Sony's most affordable full-frame cine camera yet!

The FX2 is a mashup of some of Sony’s best stills and pocket cinema cameras – can it tempt hybrid shooters to Sony’s cine range?