Dying Isn't an Option No Matter How Many High-Octane Brawls Are Endured in The Furious
Kenji Tanigaki’s action film leans on human-performed fight scenes and a pan-Asian cast, with several sequences running 15 minutes or more.
- On Friday, June 12, the Hong Kong-style martial arts film The Furious debuts in theaters, featuring deaf handyman Wang Wei rescuing his kidnapped daughter Rainy from a human-trafficking syndicate.
- Director Kenji Tanigaki, a former stunt coordinator for Donnie Yen, collaborated with fight choreographer Kensuke Sonomura to blend diverse martial arts styles from a pan-Asian cast into a relentless action spectacle.
- Action sequences clocking in at 15-plus minutes showcase practical stunts performed by martial arts stars including Indonesian pencak silat master Yayan Ruhian and judo superstar Joe Taslim, whose unique fighting styles create distinct rhythms.
- Critics note the plot remains threadbare, yet the film delivers as an ecstatic display of choreography that will appeal to fans of visceral action films like The Raid.
- Protagonists face sociopathic trafficker Paklung in a generic "somewhere in Southeast Asia" setting that prioritizes physical intensity over cultural specificity, building toward a brutal climactic showdown.
15 Articles
15 Articles
Dying Isn't an Option No Matter How Many High-Octane Brawls Are Endured in The Furious
Over the last decade and change, international markets have asserted dominance over the action genre. The Raid: Redemption, RRR, and The Night Comes for Us blew away American audiences accustomed to watching bulky, neckless meatheads lumbering around or aimless, bullet-spraying shoot-outs. Where do you think John Wick learned his slickest moves? Filmmakers like Kenji Tanigaki find poetry in ruthless motion, which he does once again in his latest…
Review: Get knocked out by the innovative fighting style of 'The Furious,' the future of action cinema
Ignore the rote kidnapped child plot and gape at the creative fight choreography in this Asian action spectacular, which could kick off a revolution.
An elemental, balletic beatdown, The Furious is an action junkie's dream
Whack smack thud leap crash sock wham thock block hammer? thump whump crack crunch squish squish squish. Exhale. The Furious distills cinema down to sound effects and whirling motion, a pan-Asian approach to Hong Kong action that prioritizes a blistering tempo, unmatched fluidity, and virtuosic movement. Directed by longtime Donnie Yen choreographer Kenji Tanigaki, The Furious boasts plenty of Raid alumni and a similar tone: This is lizard-brain…
Movie review: 'The Furious' delivers with nonstop martial arts action
The hero of “The Furious” – let’s call him “Dad” – is a man of few words. Played by the iconic Chinese action actor Xie Miao, he does most of his talking with his fists and his feet, while also employing a few occasional phrases in sign language and hastily scrawled notes. But there’s no mistaking the urgency of his situation: his daughter Rainy (Yang Enyou) has been kidnapped, and he’s going to plow through every single person who stands in the way of her rescue. Unfortunately, that’s quite a lot. And they all fight.

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