Film still from ‘Natchez’ (Oscilloscope) When the trailer for Natchez first played at FilmScene, showing women in Gone with the Wind-esque gowns and men in gray Civil War fatigues smiling for photos in a former Mississippi plantation home, my partner leaned over and said, “I’ve been there. We had a family reunion there.” Even before watching the film, its themes of historical whitewashing and heritage tourism were already front of mind. How far …
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