Rasulov: The directors of secret films in Iran learn to avoid the intelligence services as much as they are subject to interrogation
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Kahn: In an interview with Agence France-Presse on the sidelines of his presence at the Cannes Film Festival, where he made his first public appearance since his secret departure from Iran, the Iranian director Mohammad Rasoulov said that making a good film in a secret way “requires 20 years of training.” During Rasulov's stay behind bars, he had in mind the film “Danah Unger is holy” [...]
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