US EditionPunk Legends and Classical Tensions in "No Names" - Chicago Review of Books
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Punk Legends and Classical Tensions in "No Names" - Chicago Review of Books
The ideal soundtrack for Greg Hewett’s debut novel, No Names, would start with a Schumann piano concerto, followed by a Black Flag anthem, manually mixed onto a dusty cassette tape with a handwritten label. The punk tracks represent Mike and Pete, two young guitarists who form an infatuated friendship in the mid-1970s on the working-class side of a fictional city situated near the Rust Belt, on the migratory path of tundra swans. Pete, who has s…
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