[Many thanks to Peter Jordens for bringing this item to our attention.] In this article, Ana Teresa Toro (El País, 23 May 2026)— with photographs by Steph Segarra— analyzes how the casita may work as a universal metaphor for a homeland and much more. Toro writes, “Bad Bunny’s casita is at the center of his concerts on the ‘DebÍ Tirar Más Fotos’ world tour. It’s a symbol of home, but also of an entire community.” Here are excerpts; for full artic…
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