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Listen to the World From Within - Weekly Gap
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This fusion – in which each rope stroke decides a syllable and each vocal inflection recomposes the meaning – explains why Osiris’ work, together with that of Serafín J. García and Wenceslao Varela, marks the closing of one stage of the gauchesca and, at the same time, opens another: the posgauchesca. The term was coined by Pablo Rocca to name the critical rewrite of the field, of the civilian and of his language. In Osiris, the song-work integr…
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