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In Broadway’s ‘Giant,’ Roald Dahl is a warped messenger for a vital debate about Israel

The play explores the 1982 antisemitic book review by Roald Dahl and the efforts by his Jewish publishers to secure an apology amid growing contemporary relevance.

  • Giant, the Broadway play, opened on March 23 after a much-hailed West End run, staging Roald Dahl's 1982 controversy in Mark Rosenblatt's drama.
  • The controversy stems from Dahl's 1982 review in Literary Review, where he criticized Israel's 1982 Lebanon war and alleged U.S. policy was controlled by 'powerful American Jewish bankers'.
  • John Lithgow anchors the production with a tour‑de‑force portrayal that uses physical presence and verbal force to embody Dahl, while Aya Cash debuts as Jessie Stone, a New York publishing executive.
  • Publishers pressed Dahl to retract and apologize amid threats that led to security at his Buckinghamshire estate, while Dahl's family issued a 2020 apology and audiences reacted with an audible hush to 1982 references.
  • Given recent events, the play's questions about authorship and Jewish solidarity feel more urgent as Dahl's work continues to be adapted by Netflix and top directors, amplifying its relevance.
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Jewish Telegraphic Agency broke the news in on Monday, March 23, 2026.
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