The artist’s works capture something of the fundamental unknowability of other people’s lives At the threshold of Arpita Shah’s exhibition is a glass-topped display table, recognisably of the museological variety, in which various objects are archived, labelled and displayed: passports (Indian), coins, letters, a pair of colourful confectionary tins (from Bombay and Nairobi), beads, dried flowers, gemstones, a piece of brick, a mix of curling bl…
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