The 1990s was an exciting time for rock. There was grunge and Britpop, stadium punk and rap metal, a pantheon that allowed veteran rockers Kiss and Aerosmith a chance to come back with great force. Between these strands stood His Name Is Alive, an experimental outfit built up on sentiments over songcraft; a band of colors and tones instead of compositional ambition. Their first three records showcased Warren Defever’s penchant for angular design…
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