US EditionCorrido Censorship: The paradox of funding and criminalizing cartel stories
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Corrido Censorship: The paradox of funding and criminalizing cartel stories
July first became a paradoxical Groundhog Day as Natanael Cano, one of the pioneers of the corrido tumbados genre — Mexican folk songs revamped with trap — released his latest album, “Porque La Demora” (why the delay) with nothing more than trap and reggaeton tracks. Nearly vanishing the trumpets and strings of the 150-year-old regional music from his album, Cano’s lyrics were still the same take on drugs, sex and violence, the direct reflection…
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