US EditionBell End of Mathilde Invernon
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© Matthieu Croizier The asshole is in our headphones, our theatres, our families, our sexuality. The asshole is in us. The toxic icon of a society that encourages him more than she condemns. Here, the asshole becomes the object scrutinized, the performers reverse the balance of force of the look that the asshole carries on them. Methodical study of their interiority up to the tops where the asshole sets the blurred and distant horizon of his aut…
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