It is curious that two of the most famous and representative statues of the Quattrocento were not made in honor of a prince or a literate or a religious or mythological character, but of mercenaries. One is in Padua and was made by the famous Donatello; the other rises in Venice and authorship [...]
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It is curious that two of the most famous and representative statues of the Quattrocento were not made in honor of a prince or a literate or a religious or mythological character, but of mercenaries. One is in Padua and was made by the famous Donatello; the other rises in Venice and authorship [...]