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Assaultive Cinema: Andre de Toth at Columbia
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Assaultive Cinema: Andre de Toth at Columbia
My contribution to The Lady with the Torch: Columbia Pictures 1929-1959, edited by Ehsan Khoshbakht, and published this month to accompany the Locarno Film Festival’s retrospective curated by Ehsan. It’s fitting that Andre de Toth’s spikey, achronological, and boisterously all-over-the-place autobiography of 1994 lacks an index and is entitled Fragments: Portraits from the Inside. Given his wanderlust, the somewhat splintered career it produced,…
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