[Satire] You’ll Want to Watch Daisy Edgar-Jones in Sense and Sensibility Again and Again
- On Friday, September 25, director Georgia Oakley's adaptation of Jane Austen's 1811 novel arrives in UK cinemas, starring Daisy Edgar-Jones as Elinor Dashwood and Esmé Creed-Miles as Marianne Dashwood.
- Unlike Ang Lee's 1995 classic, Oakley's film adopts a naturalistic aesthetic aimed at Gen Z audiences, offering a grounded interpretation of the Dashwood sisters' emotional lives and social constraints.
- Shot on 35mm film by cinematographer Arnaud Potier, the 132-minute production emphasizes natural light and explores 'yearning' while maintaining loyalty to Austen's plot beats and the sisters' emotional turmoil.
- Performances from Fiona Shaw and George MacKay have drawn praise, though critics note the film's somber tone strips away wit typical of Austen adaptations as Oakley centers the sisters' bond over romance.
- Arriving in U.S. cinemas on October 16, Oakley's interpretation positions the Dashwood sisters' fable as a relevant exploration of repressed emotion and social inequity despite the 200-year distance since publication.
20 Articles
20 Articles
‘Sense & Sensibility’ Review: A Rebellious Take On Jane Austen's Satire
Over 30 years have passed since Ang Lee worked his magic on Jane Austen’s 1811 novel, and, aside from a 2008 BBC mini-series, it’s taken until now for someone else to have a bash at a feature film version. It’s surprising it’s taken so long; a quick revisit shows that the 1995 Sense and Sensibility […]
Thirty years after Ang Lee, Georgia Oakley signs a equally successful version of "Raison et Sentiments", at the head of an entirely feminine teamWe can have doubts about the need to return again and again to the same 19th century texts for new adaptations filmed, the rights that have expired certainly not for nothing in the eagerness of the producers. This reserve applies to Jane Austen, whose all the novels have already been worn several times …
Sense and Sensibility Review: A Surprisingly Bittersweet Jane Austen for New Generations
At a certain point, oft-loved (and oft-adapted) classics, such as the works of Jane Austen, transcend their status as simple stories. They’re standards; myths; anthems whose value in each successive generation stems from how some beloved beats are adhered to whilst others are omitted entirely by a free-styling soloist having their way on a jazz […]
Sense And Sensibility (2026) Review – 'Handsome but derivative'
Hitch up your petticoats: it’s Austen autumn. Later this year, we’ll get a Netflix miniseries of Pride And Prejudice, but first up is this achingly tasteful take on Jane Austen’s other big-hitter, Sense And Sensibility. It’s the first feature film adaptation of the story since Ang Lee’s movie back in 1995, which boasted an Oscar-winning script by Emma Thompson. You can imagine the trepidation of director Georgia Oakley, who broke out with 2022’s…
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