The Metropolitan of New York has hung up this spring, almost as a cover, a small table by Leonardo da Vinci: the Virgin of the spinner, borrowed by billionaire Kenneth Griffin. The news has run as if it were a unique rarity. But let me wait for the party with a data that almost no one is counting: that table has a twin sister, almost dressed, hung in Edinburgh, and between the two it is explained better than in any manual how the art market of t…
This story is only covered by news sources that have yet to be evaluated by the independent media monitoring agencies we use to assess the quality and reliability of news outlets on our platform. Learn more here.
The Metropolitan of New York has hung up this spring, almost as a cover, a small table by Leonardo da Vinci: the Virgin of the spinner, borrowed by billionaire Kenneth Griffin. The news has run as if it were a unique rarity. But let me wait for the party with a data that almost no one is counting: that table has a twin sister, almost dressed, hung in Edinburgh, and between the two it is explained better than in any manual how the art market of t…