“The only art I’ll ever study,” David Bowie once said, “is stuff that I can steal from.” There’s some art, however, that captures something vague. The odd, rare masterpiece occasionally arises where you can’t quite put your finger on its magic. These works implore you to study them in a different manner, and Cillian Murphy has been doing just that with one “masterpiece” from 1995 for a while now. La Haine, or The Hate in English, offers a simple…
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