Anyone who has seen François Truffaut‘s terrific 1973 comedy Day for Night, which tracks a film being made in real time with all the on-set politics and drama we read about in the papers, will probably be familiar with a scene in which the cast and crew sit down together to watch the daily rushes, a chance to watch back what has been filmed that day. The lead actor, in particular, flat out refuses to attend them, hating to watch themselves on th…
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