Eva Victor: 'Sorry, Baby' Is 'Punching up' at Oppressive Institutions
- Eva Victor directed and stars in the film Sorry, Baby, which opened Friday in New York and Los Angeles and will expand nationwide in the coming weeks.
- The film grew from Victor’s personal trauma story and focuses on Agnes, a New England literature professor assaulted by her thesis adviser, exploring her nonlinear healing process.
- Sorry, Baby uses nonlinear storytelling to reveal Agnes’s emotional landscape, emphasizing her friendships, especially with Lydie played by Naomi Ackie, and avoiding graphic depiction of the assault.
- The film won the screenwriting award at Sundance earlier this year, received standing ovations, earned critical acclaim for its smart script, and uses comedy to highlight oppressive institutions.
- Sorry, Baby’s reception suggests it resonates by balancing pain and humor while centering on healing, friendship, and systemic critique rather than trauma exploitation.
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‘Sorry, Baby’ Filmmaker and Star Eva Victor Can Do It All — Make You Laugh, Make You Cry, and Keep the Cat Alive
Victor's feature debut is the announcement of a major talent, as they tell IndieWire about important cat-centric PSAs, maintaining privacy in the face of a very personal film, and bonding with Barry Jenkins.
18 Things to Know About Jewish Comedian and Writer Eva Victor
If you were on X, known as Twitter at the time, between 2015 and 2020, you are familiar with Eva Victor. The comedian and writer went viral with hilarious short video sketches like “me explaining to my boyfriend why we’re going to straight pride” and “the girl from the movie who doesn’t believe in love.” They also authored some classic Reductress headlines like “Confident Woman, But How” and “Woman Who Finds ‘They’ Pronouns Confusing Has No Prob…
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