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The Dissonant Howl of “Salome”

Summary by The New Yorker
Alex Ross reviews new productions of Richard Strauss’s opera, based on Oscar Wilde’s play, staged by the Met and Heartbeat Opera.

Bias Distribution

  • 100% of the sources lean Left
100% Left
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The New Yorker broke the news in New York, United States on Monday, May 19, 2025.
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