The National Theatre Okinawa is at a turning point. The number of its own productions has fallen to about 60% of its peak, and a review of its finances and organizational management is urgently needed. How will the number of productions be maintained? Who will select the performers? How will the theater experience be protected? And who will support the theatre?
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The National Theatre Okinawa is at a turning point. The number of its own productions has fallen to about 60% of its peak, and a review of its finances and organizational management is urgently needed. How will the number of productions be maintained? Who will select the performers? How will the theater experience be protected? And who will support the theatre?