Words by India Farnham | Photos by Johan Persson Sizzling, shocking, sexy, sweaty. Matthew Bourne’s The Car Man has been described in terms that I imagine many traditional ballet choreographers would shudder at. The production, which was first performed in 2000, is loosely based on Bizet’s ever-popular opera Carmen, and is set in the sweltering American Midwest during the 1950s. The story follows the handsome and magnetic Luca, who, after arrivi…
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