Maria Oruña Launches a Thriller on Art: "The Assault on the Louvre Was the Work of Botches and Revealed the Pride of the Security System"

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With the books of María Oruña (Vigo, 1976) the reader travels. Not only does it for the interior of crime, but for those landscapes of the north that Oruña knows well, stained by the blood of his addictive arguments. Cantabria and Galicia, incomparable frames of evil, have given rise to a consistent narrative work and a police with eyes of different color, Valentina Redondo. But since two titles, the inspector, born of her devotion to writer Dol…